Monday, March 24, 2008
Feminist Manifesto
The pseudo-improvised reality series "The Hills," as it plays out beyond MTV, on tabloid covers and in nearly every other byway of the modern media, is above all a vicious decimator of hope. It mocks our hearts; it plays with our allegiances, and we welcome the abuse. During its third season, which picks up again on Monday after a three-month hiatus, "The Hills," set among young aspirants of the Hollywood Hills' music and fashion industries, has continued to track the emotional warfare between former best friends Lauren and Heidi, while delving more deeply into the twistedness, gaslighting and superficiality of the boyfriends who ensure that the tortured rivals treat each other like Crips and Bloods. The show that looked, in all of its Antonioni-esque plotlessness and dreamy cinematography, at the ignominies of youthful friendship has turned toward the more conventional cruelties that good-looking playboys perpetrate on young women who wear low-rise pants and put on boots in warm weather. Defying our expectations, Heidi has emerged as a kind of feminist hero this season, climbing her way to a bigger position at the event-planning company where she orchestrates Nascar parties, and refusing to acquiesce to the demands of her fiancé, Spencer, that she get herself home on time. Her career-mindedness sets their relationship off course. Heidi identifies the problem with no name: a boyfriend who sits around an apartment decorated to look like an '80s video arcade while trying to deny Heidi a real wedding with the glory of registering. Her groundswell of self-assertion begins when he insists on eloping, prompting Heidi to declare, "This isn't, like, Spencer's relationship and you decide what we do." The full-on joyous Oprah-fication of Heidi culminates with the show's return and gives "The Hills" a new momentum. After taking a break from Spencer at her parents' modest house in Crested Butte, Colo., Heidi returns to Los Angeles to kick him out and chastises him for taking her flat-screen TV with him. How proud Gloria Allred would be. And oh, what Lauren, her vulnerability hidden beneath her baroque moralism, could learn from Heidi right now. Lauren is pining for Brody, who, she has confessed, never makes her feel good enough. (Although we are led to believe that she could still have a chance with him, Us magazine has already told us no — reality squelching the suspense of mock reality.)
... and the review goes on from there (click HERE to read it in its entirety). I, for one, am not surprised that the New York Times has taken this TV show under review, it really has become the guilty pleasure of a large portion of the
[Permalink]